Archive for the 'Killer Posts' Category



12
Sep
13

One Month

image45sA lot can change in a month. Hell, a lot can change in an hour, a minute, a second.

Sometimes it’s hard to gauge the extent of that change when you’re in the moment. It’s like we have this built in anti-panic mechanism that kicks into overdrive when things are getting crazy and allows us to honestly believe that everything is ok when all hell is breaking loose.

It was like that in theatre. They wheel you into this sterile space where your life is about to change forever, laughing and joking like you’re going for a Sunday stroll and you play along because a Sunday stroll is a shitload less terrifying than what’s about to happen.

I remember how J-Rab looked in the hospital gown they gave her. I remember the expression on her face, the way she was trying to be so brave, the needle on the gauge of her panic mechanism revving well into the red. I held her hand throughout, amazing how a simple gesture of comfort like that can mean so much.

I remember her hand, her fingers intertwined in mine, perfect in their femininity. Palm to palm our hands match up perfectly, my fingers only slightly longer than hers, a symmetry that feels so right when we connect like that, palm to palm.

She had to sit hunched over on the bed for them to get the needle in. She kept her head down throughout but didn’t let go of my hand. I stroked her cheek and I told her over and over "It’s ok babe, it’s ok".

Things moved fast once it was in. They put the screen up and I a sat right by her, got into character, got ready for the performance of my life Рthe supportive fianc̩, calm and unflinching.

Was I scared? No, I was riding high on a wave of excitement, my confidence in the doctors and nurses was unshakeable. "It’s going to be fine," I told myself, "because they do this all the time."

And it was exactly then that things started to go wrong.

"I don’t feel right," J-Rab said, "I feel like I’m going to faint."

She was whiter than the sheet she was lying on, her lips a bluish grey colour as she turned wide-eyed to the anaesthetist. "I think I’m going to be sick," she said.

"Just breath babe, deep breaths, deep breaths," I said, but my mind was a riot of thoughts screaming and stampeding over one another. What if something was wrong? What if they’d gotten the dose wrong? Put the needle in the wrong place? What if she was having an allergic reaction to the anaesthetic? What if…

“Her blood pressure’s low,” one of the nurses said. The anaesthetist responded by injecting a glass vial of something clear into J-Rab’s drip.

“Is this normal?” I asked.

“Yes, it happens often, it should go back to normal now,” the  anaesthetist replied.

I squeezed J-Rab’s hand, “Hang in there babe.” I wore my bravest face, spoke in calm, steady tones, but inside I was terrified.

She shut her eyes and breathed deep while the doctors on the other side of the screen worked as fast as they could.

“Can you feel this love?” one of them asked.

“I feel pressure.”

“Is it sore?”

“…No,” J-Rab replied, and they started cutting.

Colour slowly started flowing back into her face. She was still pale, wide-eyed, but her blood pressure was slowly balancing out.

“It feels so weird,” she said.

“Is it sore?” I asked.

“No, but I can feel it.”

“Nearly there gorgeous,” I said.

Some time passed after I said that, it could have been 30 seconds, it could have been 3. I remember her eyes, like mountain pools her mom always says. I remember how vulnerable, how beautiful she looked and I remember thinking how proud I was of her.

The next thing I remember was the doctors telling me to get the camera ready.

I’d decided beforehand not to look over the screen because I was worried I’d faint at the site of J-Rab cut wide open like that. I was no use to anyone passed out stone cold on the operating theatre floor.

But when they said told me to get the camera ready, some other instinct took over, I stood up and looked over the screen.

I saw everything, the clamps, the bloodied instruments, and surgical swabs, the red mess they’d made of J-Rab, but it didn’t gross me out, I didn’t feel like I was going to faint dead on the spot because in the midst of everything, I saw something else.

I saw my daughter.

She was being pulled out, covered in greyish vernix and wet with amniotic fluid. I took pictures of it all, her first few moments of life outside the womb, and captured the moment they held her over the screen so that J-Rab could touch her for the first time.

J-Rab reached out, took our little girl’s tiny hand in hers, a simple gesture of comfort.

Today our little Cub is one month old. We’ve watched her change so much in this short space of time I can hardly believe that tiny, naked Gollum-like creature that I watched them pull out of J-Rab a month ago is the perfect little angel I come home to everyday.

When people ask me what it’s been like it’s almost impossible to say, but the same line from the Wallflowers’ song “One Headlight” echoes somewhere in my mind every time.

“I ain’t changed, but I know I ain’t the same…”

Everything can change in a month, we’re playing for keeps now, the stakes have never been higher but all fluffy sentiment aside, it’s been the best month of my life.

 

 

Here’s to many, many more Winking smile

-ST

11
Sep
13

“In Utero” 20th Anniversary Reissue Looks Amazing

Nirvana-In-Utero-box-set-detailsAwhile back I took the brave step of admitting that, over 20 years later I’m still pretty obsessed with Kurt Cobain when I posted a series of rare pics of the man that have recently surfaced.

When you think about it, Nirvana were a pretty phenomenal band considering they were only around for about seven years (‘87 – ‘94) and only really exploded onto the scene with Nevermind in ‘91.

They released three studio albums in total, the third of which, In Utero, is about to be re-released in celebration of it’s 20th anniversary. Can you believe it’s been 20 goddamn years since it was originally released?! Christ we’re getting old.

The Super Deluxe Edition box set is a monster. According to www.nirvana.com, it…

Features more than 70 remastered, remixed, rare and unreleased recordings, including B-sides, compilation tracks, never-before-heard demos and live material featuring the final touring lineup of Cobain, Novoselic, Grohl, and Pat Smear. This box set also includes a DVD of the complete "Live and Loud" show from Seattle’s Pier 48 on December 13, 1993 plus never-before-released bonus material.

The full box set sells for $149.98 (so roughly R1 500 at today’s exchange rate) which means it’s totally out of Papa Slick’s price bracket right now and probably will be forever. Any kind souls out there reading this, my birthday is on the 3rd November and it’s the big three-oh… just sayin’…

 

 

You can hit this link for a full run down of all the material that’s in the box set.

But the real reason I wanted to write this is because NPR did a 40 minute interview with the surviving members of the band (Dave Grohl and Krist Novoselic) which I read last night and really enjoyed.

You can stream the interview here, or read the transcription of it which follows below the streaming link. It’s well worth it if you’re a Nirvana fan.

My favourite part though is when Krist is talking about Kurt Cobain as a person and an artist:

Novoselic: In Utero is a testament to the artistic vision of Kurt Cobain. It’s kind of a weird record, and it’s strangely beautiful at the same time. And if you look at Kurt’s paintings and his drawings — he even did a sculpture for me — it’s a rising, tortured-spirit person. It’s kind of weird. It’s done well, but it’s like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.

A statement like that carries added weight if you know anything about the dynamic between Krist and Kurt. They were basically the founding members of the band and were really good friends who knew each other from highschool.

 

 

In all the interviews I’ve heard or read with Krist since ‘94, whenever the topic of Kurt comes up, I get this strong sense of how much Krist respected and loved Kurt, despite Kurt’s darker, more self-destructive side.

In one interview in particular Krist is asked what it was like after Kurt’s death and he admitted that, years later, whenever he passed a guitar shop and saw an awesome-looking left-handed guitar, he would automatically think, “I should buy that for Kurt”.

I never got the same feeling from Dave. He moved on to achieve great things in his music career whereas Krist played for a few lesser-known bands and decided to get quite heavily involved with politics through a group he formed called JAMPAC (Joint Artists and Musicians Political Action Committee).

Nirvana was probably the highlight of his music career and life, but you can tell from the interviews he gives that it’s not that that he misses.

It’s his friend. Simple as that. I think he’d trade in all the fame, all the fortune just to have Kurt back.

But then again, I could just be reading into things.

I do that sometimes Winking smile

-ST

10
Sep
13

Media Saturation Point

miley-cyrus-wrecking-ball-video-4-650-430I think I could be getting close to reaching full-on media saturation point. It’s a bold claim I know and not one I should technically have any right to make considering I can name 5 friends off the top of my head who consume 10 times as much media as I do, but there it is.

This realisation came to me when I watched Miley Cyrus’ over-hyped performance at the VMA Awards and her new single “Wrecking Ball”.

I know both of these videos are supposed to have elicited some kind of “OMGWTF!” response from me as I scrambled for the nearest social media platform to voice my indignation at the declining morals of today’s youth.

Instead, all I thought in both instances was “meh”.

Because who really cares, right? I mean, who really gives a fucking flying fuck? Haven’t we seen all this before? The answer is yes, we have seen all this before, but I guess if you’re under a certain age you might not have which explains why it’s such a big deal because teenage girls rule the world.

It’s fucking true! Anyone with a brain will tell you that teenage girls control the goddamn purse strings of the modern world, but that’s another rant for another day.

Today’s rant is about how shockingly indifferent I find I’m getting when it comes to the media I consume.

Like I said before, I just feel like I’ve seen all this shit so many fucking times before that it has absolutely no effect on me whatsoever.

For example, here’s the new Miley Cyrus video I mentioned earlier (I can’t believe I’m about to post a Miley Cyrus video on this site, but whatever, it’s to illustrate a point).

 

 

It’s just all so fucking overdone. Close-up shot of her crying on camera – Sinead O’Connor (“Nothing Compares To You”), sexy girl with power tools – Benny Benassi (“Satisfaction”), song about getting your heart ripped out – practically every artist to ever write music ever.

Am I supposed to be shocked that Disney’s little sweetheart Hannah Montana has grown up into a badass rebel get-naked-at-the-drop-of-a-hat pop music biatch? Please.

Disney is practically a factory for churning out ill-adjusted, future crack / meth / prescription drug and alcohol addicts that hit meteoric levels of fame way too young only to crash and burn in their late 20s while tabloid newspapers and magazines feed off their misery like bloated ticks.

 

 

That’s just one example though. So many more come to mind.

Take movies for example. When’s the last time you saw a truly good one? One that really struck a chord in you and made you smile or laugh or cry from somewhere deep down?

I’m guessing it’s been a long, long fucking time right?

I did the math today. I’m going to be 30 this year, so let’s say on average I see maybe two movies a  month – that’s 24 movies a year.

Now, because I don’t really remember anything I watched movies-wise before the age of 5, let’s say I’ve been watching two movies a month (on average) for 25 years. That works out to be 600 movies in total and I can tell you right now that’s a conservative estimate.

At varsity I was probably averaging 2 movies a week, that’s 384 in just 4 years so I’d actually put the number of movies I’ve seen in my life closer to 1 000, maybe even more.

The average movie is 120 minutes long, so that means I’ve spent 120 000 minutes watching movies – that’s 83 straight fucking days, nearly three months just watching movies 24/7!

And like I said, I think I’m at the healthier end of the media-consumption spectrum. I have friends that probably watch up to 5 or 6 movies a week, God knows how because even with the comparatively little amount that I’ve watched, I have had enough.

Everything is a rehash of everything else, everything is a reboot. Indiana Jones is The Mummy, is Tomb Raider, is National Treasure, is The Da Vinci Code. The Last Of The Mohicans is Braveheart, is Gladiator, is Troy, is 300, is Robin Hood, is Clash Of The Titans.

It’s pretty well-known that Hollywood has a pile of something like 36 scripts and when they’ve made the movie at the top, it goes back to the bottom of the pile only to surface three years later as the same movie with a few subtle twists to fool people into thinking it’s something new.

Here, have a look at this, it’s called R.I.P.D, it’s Ryan Reynolds’ new one with Jeff Bridges:

 

 

Seem familiar to you? Of course it fucking seems familiar – it’s fucking Men In Black with ghosts instead of aliens!

The last thing I ever wanted to be in life was a cynic, but after spending the majority of my adult life getting media rammed down my throat relentlessly whether I like it or not, I’m finding it increasingly difficult to get excited about anything media-related anymore.

I’ve often wandered what it would be like to try to cut all that stuff out of my life completely and see what happens. Spend a year avoiding movies, series and internet videos.

Music is different, I couldn’t live without that, but what would my life be like if I cut out the rest of it?

Would take a lot of balls and I think my overriding online FOMO would make it damn near impossible, but wow I’d have a lot more time on my hands and would probably be a far more well-adjusted human being.

But then again, who needs to be well-adjusted when you have pure internet gold like “The Fox”?

 

 

The fact that I actually find that video funny says more about the levels of depravity I have to sink to to be entertained than anything I could ever write on the topic.

Yeah. I think it’s time to pull the plug.

-ST

14
Aug
13

I Have A Daughter And She Is A Badass

I will write more soon, I promise. For the time being, I’m just treading water, trying to figure it all out and trying to get my head around the fact that as of 1.17pm on Monday, I became a father.

I will say two things though. Firstly, J-Rab is a champion. She is the strongest woman I’ve ever known and has sailed through everything just like I knew she would. Because of her I will never look at women the same way again. They are miraculous beings, anyone who thinks differently is not a person you should waste your time with.

Secondly, my daughter is a badass. World, meet The Cub, and yes, she could very well be flipping you the bird – she’s trying to sleep here ok? The paparazzi can take a hike.

 

 

More to follow. Thank you all for the good vibes, congratulations and well-wishes, you guys are incredible, I’d hug every last one of you if I could but that hug would be so gigantic I’d need a football field to get it right.

Later Party People Winking smile

-ST

25
Jul
13

Desert Dreams

flagsI don’t know what it was that made me fall in love with the desert, or at least the idea of it because the closest I’ve come to experiencing it was staying at Matjiesfontein in the Karoo on road trips from Jozi to CT.

If I think back to my childhood, there’s nothing concrete there either – maybe some half-remembered movie scenes or vague, dusty dreams. The clink of spurs, the rolling tumbleweed, the blood-red sunsets.

Whatever it was, my obsession with desert rock has only made it stronger over the years. It was this shared love of that scene that sparked a connection between myself and Dan Nash who, as I write this, is living the dream.

His story is a pretty cool one. SA band Red Huxley were lucky enough to win a 5FM competition last year and subsequently got to meet the Eagles Of Death Metal backstage when they were in the country last year.

The guys got to talking with the band and were invited to this crazy little recording studio way out in the Californian Desert called Rancho De La Luna which is a legendary place in desert rock folklore.

 

 

Everyone from Eagles Of Death Metal themselves to my favourite band of all time, Queens Of The Stone Age to PJ Harvey and the Arctic Monkeys have recorded albums out there. It’s a kind of Mecca for bands that want to escape it all, soak up the solitude and untamed desert energy and just do what bands were born to do.

So Red Huxley created a Kickstarter campaign to raise enough money to fly over to the States and record their first album with the co-owner and founder of Rancho, Dave Catching, who has played in both Eagles Of Death Metal and QOTSA.

It’s not only a dream come true for Red Huxley, but it’s also a South African first (far as I know) so it carries national significance for each and every South African out there! Of course, the guys needed a coupla faithful scribes to make sure the interwebs could follow their exploits which is where Kim from Motion City Films and Dan come into it.

The guys have been gathering content and Dan’s been posting regular updates on the trip which you can check out on his site. So far, they’ve put out 5 videos of their trip which you can watch here.

They’re pretty cool, they give you a great idea of what the place is like, but what’s been really awesome to see are all the pics the guys have been taking, some of my favourites of which follow below:

 

 

 

 

 

 

 

 

 

 

 

 

 

What crazy place. I’m seriously interested to hear what Red Huxley’s album is going to sound like because holy shit, it looks like it’s been an insane ride.

I’ll get out there one day. It won’t be to live the rock n roll dream though, it will be with my daughter and J-Rab, cruising those dusty roads in a Cadillac like the guys managed to find, surrounded by “those on the fringes of the promised land, cut off from the American dream”.

One day Winking smile

-ST

23
Jul
13

SlickTiger Watches The Worst Movie Ever Made, Loves Every Minute Of It

220px-Troll_2_posterRegular readers of this blog probably know by now that I have a weird bent for things that “normal” people probably find unbearably crappy and difficult to sit through.

There’s just something about B-grade that fascinates me. It’s probably a knee-jerk reaction to the over-polished, super-slick, too-cool-for-school mass media world we live in.

There are only so many over-stylised, photoshopped depictions of “reality” I can handle before I start to get bored to tears. Show me something real fer chrissake! Show me something flawed, something fucked up, something truly terrible. It was this desire that lead me to find out about and subsequently watch the worst movie ever made: TROLL 2.

Now, before I get started I think I need to qualify just how bad this movie is.

 

 

You get run-of-the-mill bad movies that suffer from giant plot flaws, logical inconsistencies, poor character development, shocking acting, weak cinematography, clichéd writing and crap directing. A “bad” movie usually suffers from two or three of these flaws at the very most.

It’s very rarely that a movie gets everything wrong and when that does happen the end result is basically unwatchable.

Troll 2 is guilty of the following sins (to name a few):

  • Not one cast member can act (with the possible exception of the “Crazy Store Owner” who, as it turns out, is actually crazy in real life so technically he was just being himself)
  • The story makes no sense whatsoever when held up to even the slightest scrutiny. That’s the story, the surface-level “John goes to x, does y, result: z”. Don’t get me started on the plot (ie. what’s happening under the hood of this filmic example of staggering ineptitude), because it bungles the deeper themes and ideas so spectacularly, there may as well not be any
  • Your 9 year-old niece could have shot it better blindfolded. Seriously.
  • The dialogue swings violently between clichés that are so overused they have no meaning and lines that no human being should be able to say in any situation with a straight face
  • The special effects truly are “special”. Picture dwarves running around in burlap sacks with immoveable rubber facemasks and about a swimming pool’s worth of green jelly / slime dumped liberally throughout the film and you sort of have an idea of just how bad the “effects” are
  • The soundtrack sounds like something the 80s puked out after a three week coke binge. Best moment: the shameless rip-off of “You Can Leave Your Hat On” during the movie’s one and only sex scene (SPOILER ALERT: It involves a corn cob and not in the way you, or anyone reading this, could ever imagine)

 

 

Those are just the sins that come to mind. Trust me, if given the chance to watch it again, I could probably find at least another five major flaws.

But to go back to my point, usually when a movie fails miserably at every conceivable facet of filmmaking the end result is unwatchable – THAT’S where Troll 2 is different.

Somewhere underneath the layers and layers of shit, this film has a lot of heart. It’s like that kid at school that had no friends, got picked on a bullied incessantly, failed every subject he ever took, was astoundingly goofy-looking and yet grew up to be a multi-gazillionaire and married a supermodel.

 

 

In fact, that’s a pretty apt summary of what happened to Troll 2.

The film was so bad it was released straight to VHS and aired only a handful of times on HBO before history relegated it to the bargain bin of the local Walmart to collect dust for 18 years.

Then, probably thanks to the internet, word started spreading about just how shit this movie is and something crazy started happening.

People started to love it. It is so bad, so unintentionally hilarious, that thousands of people all over the world started tracking down copies, sharing them with their friends, re-enacting the scenes, making their own fan memorabilia and hosting viewings in big cinemas across America.

 

 

Somehow the original star of Troll 2, Michael Stephenson (who was about 10 years old when they shot the movie) got wind of the cult status that the movie was getting and decided to film a documentary about it.

And so, two nights after J-Rab and I watched Troll 2, we got our hands on that documentary which was shot in 2009 and is called The Best Worst Movie.

In stark contrast to Troll 2, The Best Worst Movie is actually a brilliant production. It had us pissing ourselves laughing at the almost absurd comedy of errors that resulted in Troll 2 a movie that, believe it or not, doesn’t have a single troll or even a reference to a troll in it.

 

 

If you share the same twisted sense of humour that I do, I’d strongly recommend hittin up your nearest video store to see if they have either title. If they don’t just hit up The Bay, they have great copies of both Troll 2 and The Best Worst Movie.

Before I sign off though, here’s Holly (the sister’s) infamous dance scene from the movie followed by a classic example of the acting and dialogue that makes this film so awesomely shit:

 

 

It’s like watching the world’s worst school play.

Good times I tell ya. Good times Winking smile

-ST

09
Jul
13

Rare Images Of Kurt Cobain

009_cobainLike countless millions of angst-filled teenagers in the 90s, I was pretty obsessed with Kurt Cobain. The only difference between me and them though is that 20 years later, I’m still pretty obsessed with him.

It’s something I don’t admit freely. It makes me feel vulnerable when I say how much I still admire and respect him because to average Joe, Kurt is just another junkie loser rockstar who killed himself.

Therefore, admitting to liking him is like saying “I dig junkie loser rockstars who kill themselves” which in turn makes people think you wish you were a junkie loser rockstar or worse, that you have a secret desire to kill yourself.

None of that is true in my case. I just think Kurt Cobain as a person, not as a rockstar, or a drug user, or someone who killed himself, was a fucking cool guy.

He had a great sense of humour for starters, a lot of people don’t realise that. They think he was this broody, too-cool-for-school artist type when really all he was was a big kid who never grew up.

He was brutally honest, almost to a fault, about himself and his place in the world. He was the Holden Caulfield of his generation, rallying against the glam and pretence of the 80s by being himself, by laying himself completely bare to the world which, sadly, was his undoing in the end.

It takes courage to go out on a limb like he did and I think it wore him out. I think he found the hypocrisy of rallying against commercial music and artists only to become one himself was too much to bear.

But anyway. I’m moving way off topic here. The real reason I’m writing this is to preface the rare images that Rolling Stone recently posted of Kurt that until yesterday, even a die-hard fan like me had never seen before.

Here, have a look:

 

 

 

 

 

 

 

 

 

 

 

 

At the heart of it all, I think I’ve stayed so obsessed with this man for so long because no matter how much I read up on him and find out about him and listen to his songs and even learn and play them myself, he still remains a mystery to me.

That’s why I love finding rare stuff like this – it adds to that mystery, fuels it, creates more unanswered questions about this man who single-handily changed the course of my life.

I hope you’ve enjoyed reading this post and looking at these pictures as much as I did writing it and discovering them.

Have a killer Tuesday everyone and remember, if Jesus doesn’t want you for a sunbeam, you can always come back as fire, burn all the liars and leave a blanket of ash on the ground.

-ST

25
Jun
13

I Have A Whole New-Found Respect For Russell Brand

Russ-BFor a long time I thought Russell Brand was a gigantic wanker, BUT having watched the video I’m about to show you guys, it’s not an opinion I’m very proud of anymore.

I formed this opinion after watching a DVD of one of his early stand-up comedy gigs which I found awkward and not very funny. Then he started dating Katy Perry and my dislike of him increased tenfold.

I liked him in Forgetting Sarah Marshall and Get Him To The Greek though, which was why I decided to take eight and a half minutes to watch him OWN the morning presenters of MSNBC in a recent interview and holy shit, it was worth every second.

Take it away Russ.

 

 

So many awesome parts, but if I had to list my favourites they would be:

  • His expression at 2.00 when blondie lands the self-depreciating line about the mental illness she brings to the table
  • The way none of them have any idea how to respond to his summary of what “The Messiah Complex” is about
  • His subtle backhand of “Ghandi, go!”
  • Him yelling at the randoms in the background to “Work more quietly!”
  • The way Brand shoots down the jock-looking asshole’s comment about not understanding Brand’s accent when he’s listening to Brand on satellite radio in his car. “Rather focus on driving” – priceless
  • The part when he thanks them for their “casual objectification” of him
  • “Who is Willy?” I mean holy fuck. Willy? Really? You can’t even get his fucking name right?
  • “Is this what you all do for a living?” Everything after this point is gold. The way he takes over the show and is a million times better as a news anchor than any of them could ever hope to be is hilarious. Their comeback? Talk more about his weird accent and pretend that he’s not in the room. For the THIRD time
  • The “shaft grasper” comment at the end. Again, what a fucking legend
  • And lastly, the titles onscreen. Read them carefully, they change dynamically to describe just how much Russell is tearing into the incompetent buffoons they actually pay money to read the morning news

Anyway. I thought that was brillliant. Russell Brand, you are a total badass and I take back any shitty thing I ever said about you.

Intelligence: 1.
Jaw-dropping stupidity: 0

-ST

04
Jun
13

A Post About Creative Limitation

STRAIGHT_JACKET_BOTHOn Saturday night I got into a discussion with a group of aspiring writers I met through the Get Smarter Creative Writing course about the idea of creative limitation.

They asked me to write up some of my views on the topic on the FB page we’ve started, but instead I thought I’d go one better and bang it out here for other aspiring writers to possibly benefit from.

Before I get started though, it’s only fair that I issue the following disclaimer: I don’t have all the answers. I’m only posting this because I’ve found this information useful in terms of my writing so yeah, eat the fish, spit the bones.

One of the biggest challenges I’ve encountered in writing fiction is losing direction, momentum and the will to finish what I start. What started out as a great premise for a novel unwinds into this sprawling mess of characters doing whatever the hell they want while the original story I had in mind forks so many times I end up getting forked.

After reading a lot of books and websites about writing I soon learned that the problem I was having was due to the fact that I was writing without structure.

 

 

The first time someone pointed this out to me, I balked at the idea. I’m not an architect, I’m a writer goddamnit! What the hell do I need structure for? 

As a creative person, I saw structure as a kind of death knell for my creativity because it stood to reason that the minute I took this brilliant idea I had for a novel / comic book / TV series / movie and tried to impose structure on it, surely I would end up severely limiting the idea?

The short answer here is yes. That’s exactly what structure does and lemme tell you something, reigning in that crazy basterd of an idea you have boiling in your mind is possibly the best thing you can do for it.

This is what I mean when I refer to the term creative limitation. It seems totally counter-intuitive to any creatively-minded person that you would actively try to limit your idea, cut it down to size, force it into a workable structure, but the act of doing so is one of the most valuable things you can do for your burgeoning story.

 

 

For starters, here’s a fun exercise to infuriate the shit out of you – explain your entire novel in one sentence, two at the most. Do it now. Take a pen write it down.

Impossible, right? Anyone who can successfully do that must be writing the most boring, over-simplified piece of fiction in the history of literature.

And yet every single novel ever written can be summed up in a sentence or two. What’s even more interesting to note is how many of those sentences are loaded to the gills with irony.

Take The Great Gatsby for example: A mysterious millionaire and hopeless romantic dedicates his life to winning the love of a shallow and self-absorbed woman.

We immediately know from reading that description that this is a story that will not end well. It also piques our curiosity as to how this could play out.

 

 

See, irony has this uncanny way of taking what would otherwise be a very straightforward plot and adding that crucial twist that all of a sudden makes people sit up and listen.

Say you do this exercise and come out with something like: “A young woman turns her back on her urban lifestyle when she marries a quiet woodsman and moves into the wilderness to live with him.”

It’s a good start. I’d be mildly interested to find out how these two polar opposites get along, but in all likelihood I’d probably shrug it off and carry on with my life.

BUT if you subtly tweaked the line to read, “A young ex-drug addict turns her back on her hedonistic urban lifestyle when she marries a quiet woodsman only to discover that his cabin is a front for the biggest crystal meth lab south of the border” THEN you’d have a compelling story.

 

 

I stole this technique from scriptwriting. In the movie industry they call this shortened description of your story a “logline” and it’s the single most important part of any screenplay.

The reason why is simple. If you’re pitching a screenplay, you have to be able to describe it in a sentence or two because movie producers receive a boatload of scripts from unknown writers every day and unless yours stands out from the rest and can be communicated succinctly, you are dead in the water.

In this way, movie producers are much the same as publishers. You need to make sure the idea you have for a novel is so awesome that just by explaining it with one sentence, you already have your reader / listener’s rapt attention.

So, for brevity’s sake, I’m going to stop this post there, at the logline. Focus on getting that crucial aspect of your story right and next week we can move onto the basic principles of structure according to archetypal story-telling which has remained pretty much unchanged since Homer first picked up pen (quill?) and paper.

Until then Winking smile

-ST

25
Apr
13

The Heroes Of The Day

Metallica1Last night in the frontlines at the Bellville Velodrome, I fought a war. Powerchords thundered like mortar fire as thousands of us chanted the battlecries we knew so well in unison.

It was a beautiful thing to be a part of and I was in the thick of it, barely three metres from the front guardrail, close enough to feel the heat from the flames and smell the sulphur of the gunpowder.

And all the while the undisputed Gods of metal raged on, ripping their fretboards apart, kicking holes through the drumkit and feeding off the energy we threw at them like sweet nectar only to amplify it a thousand-fold and blast it right back at us.

Was the Metallica concert at the Velodrome last night awesome? Was it mind-blowing? Was it life-changing? Did it affirm what a fucking incredible band Metallica are and what an impossible act they are to follow? In a phrase I know James Hetfield himself would approve of, all I can say is FUCK YEAH.

 

 

I go to watch live bands for everything you don’t get on the album. I go for the energy they create onstage, I go to feel their presence, hear their banter and most importantly I go to try to understand what they are actually like as people because that’s the closest I know I’ll ever get to them.

The problem with approaching concerts in this way is I become hyper-critical of everything the band does. I go with huge expectations and in some instances I’m let down and what was once a favourite band gets thrown onto the gigantic trash heap of bands I used to like.

From the minute they got onstage last night until the minute they left to a deafening roar of applause, James, Lars, Kirk and Rob tore through a monster two and a half hour set of old and new material that left us so broken by the end they should have had wheelchairs ready to take us back to our cars.

 

 

They played all the old classics I posted yesterday – “Sanitarium”, “Master Of Puppets” and “Seek And Destroy” (that was their last song and holy fucking shit did they do it justice, the mosh pit was so intense I’m surprised I got out alive) plus new material off Death Magnetic and they played it with a shitload of heart.

That’s the thing about last night’s performance, the entire band put everything into it. They sweated blood onstage, grinning from ear to ear throughout. Metallica are professionals and they love what they do and that’s what made last night for me.

If you think about it, they’ve probably played these songs a thousand times, a hundred thousand times, a thousand thousand times. I wouldn’t even want to hear a song as many times as they’ve played some of their songs and yet they had so much fun doing it, they put so much energy into the performance that all their stuff felt fresh, like it could have been written three months ago not thirty years ago.

 

 

And James’ onstage banter was awesome. He’s a showman, a true performer and for a guy in his fifties he’s in pretty amazing shape, they all are. Except maybe Lars… but when you see what that guy does behind a drumkit, it’s no wonder he looks a little haggard.

Normal drummers sit behind a kit, plying their trade, meat and potatoes stuff. Lars fucking climbs into his drum kit, he’s a fucking animal behind that thing, limbs flailing, tongue out, landing drum fills like machinegun fire. What a total fucking badass.

 

 

It was an incredible concert – everything from the staging to the lighting to the sound and even the logistics (parking was piss easy, there was no cue for Golden Circle, getting drinks was a matter of 15 mins at the most) were world class.

The only tragedy of the entire thing is that Metallica themselves will never read this post, as much as I wish they could, as much as I wish I could explain to them how much it meant to me, and everyone else at the Velodrome, that they put so much heart into their performance last night and cared enough about their fans all the way at the bottom of Africa to come down here and put on the show they did.

I might have had my doubts in the past, but after last night’s performance I can say with unwavering conviction that Metallica truly are the heroes of the day.

-ST